Marketing UK wines

How do you market a product that is far more expensive to produce than many of its competitors, produces a good crop only occasionally and is burdened by a level of tax far in excess of its competitors and by a government that is at best indifferent and at worst downright hostile to it ? In a disgraceful article in Decanter (January 1997), Nigel Lawson, ex-Chancellor of the Exchequer was quoted as saying that he thought Mrs. Thatcher's serving "British wine "(sic) was "carrying patriotism a bit far". Had he been French he would have been hung from the nearest lamp-post for the comment. Current government legislation seems, for some unknown reason, to avoid putting extra tax on Scotch whisky and to put extra taxes on English wine. I wonder what nationality the Chancellor is ...?

English wine falls into the medium price bracket. It cannot compete with Bulgaria , Chile or Hungary on price (about £2-£4 a bottle.) nor can it command the price of prestige French wines (Latour Premier Cru Pauillac 1995 is quotes at £995 a case !) so each vineyard must have their own marketing strategy.

  1. Denbies sell a large amount of wine through supermarkets at £4.99. they use the corks as 'bait' to lure visitors to the vineyard, (A free vineyard tour if you bring 2 corks). There they sell their higher class of wine at up to £8 a bottle.
  2. Some vineyards market on regional pride. Wothenbury vineyard and the other Welsh vineyards sell 'Welsh Quality wine' of that city on their labels.
  3. A number of vineyards try to build up a loyal customer base. Bearsted for example had a wine club , with an annual fee and a newsletter. The fee can soon be regained through discounts and free deliveries. Leeford,Lamberhurst and the organic Sedlescombe have large mailing lists sent out to gain mail-order wines.
  4. Many vineyards rely on the 'tourist trails' for custom. they advertise in tourist brochures as major attractions. Thus Devon, Cornwall, Herefordshire , East Anglian and Kentish brochures all have advertisements for the vineyards.
  5. One or two have ventured onto the Internet and allowed the world to find them. This method has not yet become very popular butHidden Spring,Carr Taylor , and the remote Pembrokeshire outpost of Cwm Deri have all ventured onto the International stage.
  6. A final method is to tell the press and let them give free advertisements. Vineyards in northern areas, such as Halfpenny Green in the Midlands and Leventhorpe in Yorkshire have been featured often as they are so unusual in their area. A newspaper picture of workers harvesting grapes under a darkening Birmingham sky is better publicity than any number of expensive advertisements !
  7. In a talk to the Thames & Chiltern Regional Wine Growers Association, David Barnsley, who has grown grapes in New Zealand for 30 years gave advice on market positioning. He noted that 15 years ago, New Zealand wine was a joke. Now it has a very large export market (and even larger imports !). His main advice was
    i) Give up growing poor quality grapes unsuited to the market or climate (e.g. Muller Thurgau) ii) Start winning some medals in competitions ABROAD where the wines will be noticed. Word will then trickle back to Britain and people will start buying English (& Welsh) wines.
  8. The opposite argument to this is that the British Isles needs to concentrate on niche production. Tbe world is awash with Chardonnay. New Zealand has cornered the Sauvignon Blanc market and the French own the high price end of the market. The vast majority of wine in Britain is sold under the 'Chateau £3.99' label - i.e. cheap. Our vineyards cannot compete in these markets.
    The alternative is to produce dry wines with flavour from the Muscat cloned vines that exist e.g. Bacchus, Huxelrebe, Schonburger and Seigerrebbe. This competes mainly with Alsace at the £6-8.00 a bottle area.Given the low production of most English vineyards, this would be economic . The only problem then is to persuade supermarkets and wine shops to stock them, or, as David Stanley said, compete abroad.

Three Choirs -A modern success story

Nicholas Ingham, Director of Three Choirs exaplained recently how they had become a commercial success. In 1990, Three Choirs was a tiny operation with 6 years wine in store and a new Chairman who had just invested £1million in a new winery and 40 acres of vines. With a limited marketing budget, Three Choirs set out to make a name for themselves in the following ways.
  • They ised the new Eurostar , plus aircraft and vintage cars to transport an ANGLAIS NOUVEAU to Albert Roux's English restaurant in Paris on Beaujolais Nouveau day. This ensured press publicity and sold a large amount of new wine.
  • They develped a small proportion of high quality wine and took it to Vinexpo in Bourdeaux. After gaining a silver medal, they went to British Airways and showed them what English wine was capable of. A large order followed.
  • They changed the labels so that unknown terms such as 'Reichensteiner/Seyval Medium Dry' disappeared to be replaced by 'Lightly Oaked Vintage'. The labels were redesigned and the price was made competitve. Supermarket bulk sales followed.
  • The current trend is to create specialist single-varietal Quality wines which can be sold at a higher price at the vineyard gate. The winery is now working to full capacity, so this is a case of re-adjusting their position in the market place.
  • They have created a very high quality restaurant which, together with vineyard tours, attracts over 90,000 visitors a year. For a vineyard in rural Gloucestershire, miles from the normal tourist circuit, this represents a major success.
  • Three Choirs have also made use of the Internet which is relatively cheap. They do not actually sell wine via this medium yet, but are using it to announce their existance to the world.

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